Alfred
Hitchcock’s horror masterpiece, Psycho pushed the boundaries of the
horror film genre and altered the course of suspense cinema with its graphic
editing, lighting setups, point of view shots and infamous score. Psycho
has long been a topic of discussion and praise amongst the film community. Specifically, different scenes in Psycho are
often referenced for scene break-downs and analysis. This is because the success of Psycho’s narrative structure relies on
the individual messages and cinematic qualities at work in each scene. The sharp cuts in editing and point-of-view
shots in the shower scene are signature to Hitchcock’s work and famous for the
alluded nudity. The scene in which
Detective Argogast meets his end at the hands of mother contains many camera
setups and angles that build up the anticipation to reveal Arbogost’s
fate. Specific shot lengths and setups
contribute to the buildup leading to the kill shots. For example, the shot of the door opening is
seven seconds long. The door slowly
creeks open leaving the audience on the edge of the seats waiting for a
reveal. On the other hand, the last two
shots of the scene - during the actual kill - are both one second long
suggesting how quickly the attack plays out.
Heavy shadows
diminish visibility of objects within frame of each shot of the scene. The shadows reiterate the uneasiness and
mystery of every part of the home. In
the shot of the bedroom door opening, light floods in from the bedroom and a
shadow is cast in the left part of the door frame. By revealing that the bedroom light is on,
the audience can assume that the room is occupied and the shadow is being cast
by a person. Subtle clues through
lighting further provoke the tension of the scene.

No comments:
Post a Comment